Sunday, April 5, 2009

U2: No Line on the Horizon

The new U2 album, No line on the Horizon, is excellent. U2 manage to reinvent themselves while holding on to some of their landmark traits to satisfy the older fan while potentially appealing to a newer group also. They are genius in the mastering of their medium. Mixing old with new, they carve a space for themselves to age graciously while exposing their experience as artists in this mediated world.

This album is a powerful collection of tracks with the net result of a finished product which is greater than its parts. The collection is a whole. The sum is greater than the parts. No line on the Horizon is a success. As a mediated experience this album has a lot to offer the listener; lyrics, music, variety, old U2, new U2, heavy rock and ballads. Bono has said, when questioned about his other mediated events, that U2 is fundamentally a rock band. The opportunities this platform has afforded him as an advocate for other causes does not take away from U2 as a band.

The title track, a love song, suggests no sense of time in linear fashion. "Time is irrelevant, it's not linear." Magnificent implies a preoccupation with time in this life but goes on to suggest timelessness after this life. "Justify till we die, you and I will magnify." My favorite part of this album is the track Moment of Surrender which starts with a cryptic or simple metaphor "I tied myself with wire." The narrative leads the singer looking for a way to get back to "the rhythm of my soul/to the rhythm of unconsciousness," and the way to find this is through a "moment of Surrender." Unknown Caller makes a very straight forward suggestion that we "cease to speak that I may speak." Who might this be directed to? There may be biblical intentions in I'll go Crazy if I don't go Crazy Tonight with "how can you stand next to the truth and not see it?" Many references are made to the struggle for truth (or Truth?). Perhaps Bono sees himself as a Jesus-like figure but I rather think he is referring to humanity when he says "every generation gets a chance to change the world." Perhaps a call to action by U2? Get on Your Boots, the first single released, starts with "the future needs a big kiss." Embrace the future now. "Hey sexy boots, you don't know how beautiful you are" are words to titillate the generation to positive action for the future. FEZ - Being Born refers to the energy associated with birth and also rebirth and life and also time. This high energy track seems to be the high point of the album speaking in terms of the musical energy of the album. The tracks begin to seep back to introspective calmness with White as Snow. "If only a heart could be as white as snow" harkens back to a previous lyric, "once I knew there was a love divine." The uncertainty of life itself is reason to look for purity of the heart. In Breathe, the artist has found grace through the sound of music.

As the collection comes to a close we are not allowed to leave in comfort. Cedars of Lebanon awakes us to realize the difficulty of life as it is. "Child drinking dirty water from the river bank" does not let us "breathe" or accept that we are as "white as snow" or that being born is easy or equal for all.

In true Bono/U2 form this story is not over. There is no easily defined "line on the horizon." Time is not linear. The truth is out there somewhere between then and when. U2 has more to say. There is more to come.

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